Archive for the ‘video’ Category

Opening for ‘Core Values’ and ‘Ground Form’ Installations

Sunday, June 28th, 2015

On Saturday, June 13 we held an Opening for my ‘Core Values’ and ‘Ground Form’ installations at the Aidron Duckworth Museum in Meriden, New Hampshire. For me, the piece was a meditation on our society’s inaction on climate change, as well as a meditation on color and form. It was gratifying to have some 50 people attend the event. Many thanks to Museum Trustee Grace W. Harde for having made the event possible and to Colleen Bozuwa for having produced the above video of the Opening.

I am equally grateful to Tracy Penfield and Lucia Gagliardone who offered an improvised dance performance among the installations. The dance was conducted in silence to focus our attention on the piece in that moment. So we all heard birds, car alarms and the occasional motorcycle. It was wonderful to see the piece surrounded by people responding to the color and forms through dance, a child climbing, people throwing frisbees and others engaged in quiet contemplation.

Comments I heard from attendees included:

I don’t consider myself artistic. For me art is a new way of thinking about things that are foreign to me. It’s just a cool way of thinking about things. My perception of artists is that they have a need to express themselves. What I get out of it is another perspective that is new and different and appreciated. It leaves me in awe because I don’t do that naturally.

And:

How wonderful, Jay! I loved the colors, the shapes, the way they relate to one another, the grace of the dancers, the green setting… The whole presentation calls up a peaceful, thought-provoking mindset. Thank you for sharing your work with us.

Architecture Class at The Sharon Academy

Monday, March 17th, 2014

I recently had the opportunity to teach an elective Architecture class at The Sharon Academy in Sharon, Vermont. Each of the 8 students completed two projects, one based in fantasy, the other in reality. The first was to design and build a model of a fantasy tree house. The second was to design an artist-in-residence cabin for possible construction on The Sharon Academy campus. Students visited the future site for the cabin to plan a residence footprint no bigger than 800 square feet. Then, they generated drawings and models of their proposed cabins and presented them to classmates, a visiting architect and school administrators:

Through an exciting collaboration with the Harpo Foundation, the school may draw inspiration from the students’ designs to build the actual cabin!

Thanks to Amber Wylie for her photography and slideshow video!

Dancers in the Forest

Tuesday, September 10th, 2013

 

At SculptureFest annual openings, dancers engage creatively with each piece that has been installed. In this clip, Tracey Penfield and dance partner Chelsea Palin performed a spontaneous piece in “The Forest Within.” Filmed by Edie Farwell and edited by Cedar Farwell, with original music, “Anna’s Waltz,” by Seth Houston.

When the Moon Came to Earth – New Video

Thursday, September 20th, 2012

Enjoy this time-lapse video produced by Colleen Bozuwa of my “When the Moon Came to Earth” installation at King Farm in Woodstock, Vermont.  Thanks, Colleen!

Also, Marie Kirn of Hartland, Vermont gave my piece a kind endorsement, saying it is “striking and moving” in this broadcast of Vermont Public Radio’s En Plein Air. Listen to the short segment.

Tree Song, A Duet

Tuesday, August 14th, 2012

Daniel plays Beethoven’s Moonlight Sonata on my piece, “Tree Songs,” in a video by friend Colleen Bozuwa.

“Tree Songs” is comprised of saplings I painted white and screwed to a piano I painted black. By attaching saplings to the piano, it appears to have the forest reclaim it, or perhaps people will see the piano as growing among a bunch of saplings. There is a beautiful rhythm to a grove of saplings clustered in a forest. The repetition of these vertical elements should compliment the black and white keys of the piano.

The piece was installed outside the Montshire Museum in Norwich, Vermont for the month of July. It was part of Dartmouth College’s celebration of the Hopkins Center for the Arts’ 50th anniversary, “Hands on Pianos.” Mine is one of 50 pianos that were altered by artists and installed throughout the Upper Valley.  See more images of the creative process on the official Hands on Pianos website and in a previous post on this blog.