Archive for the ‘sculpture’ Category

Architecture Class at The Sharon Academy

Monday, March 17th, 2014

I recently had the opportunity to teach an elective Architecture class at The Sharon Academy in Sharon, Vermont. Each of the 8 students completed two projects, one based in fantasy, the other in reality. The first was to design and build a model of a fantasy tree house. The second was to design an artist-in-residence cabin for possible construction on The Sharon Academy campus. Students visited the future site for the cabin to plan a residence footprint no bigger than 800 square feet. Then, they generated drawings and models of their proposed cabins and presented them to classmates, a visiting architect and school administrators:

Through an exciting collaboration with the Harpo Foundation, the school may draw inspiration from the students’ designs to build the actual cabin!

Thanks to Amber Wylie for her photography and slideshow video!

Humanizing Skin: A Mural Project with High Schoolers

Thursday, December 12th, 2013

I recently taught a 10-week mural class with 11 students at The Sharon Academy in Sharon, Vermont. In these photos, students are posing with their self-portrait “bodies.” I guided students through a process of cutting out their body shapes from plywood and then painting what they currently identify with on each. For instance Deniz, an exchange student from Turkey, has painted elements in his body that reflect his love for his homeland, travel, the sea, and basketball.

Deniz

All of the students’ paintings will be screwed to the exterior walls of the high school. I call this “humanizing” the skin of the school.

Anyata

See more photos of student work and read about my teaching and workshop offerings.

 

Reclaiming Sustainability through Art

Monday, December 2nd, 2013
Red Hands

Jay Mead, Red Hands, 2011

By Jay Mead, with Dominic Stucker. The sustainability movement is in urgent need of re-invigoration. For too long, we have relied on a problem-focused, doom and gloom approach that engenders fear. While fear can motivate action, it more often paralyzes people, trapping us in anxiety and despair about eroding futures for our children and grandchildren. Seemingly surrounded by catastrophes and insurmountable challenges, we usually cannot see beyond the perpetuation of our broken, fossil-fuel-dependent socio-economic system.

The word “sustainability” has been used now for decades; for some it carries hope, while for others it has lost it’s meaning through misuse in marketing and “green washing.” Together, let’s seek to reclaim sustainability as a viable aspiration and a way of life for all of humanity, using art and creative expression as a path to do so.

I believe that people need to connect to sustainability through their hearts; this orientation can happen through art and the cultivation of right brain thinking. I call this approach the “Art of Sustainability,” a practice and way of being with one another and nature that emphasizes creativity, connection, and hope.

Being in this great moment of human history, we are conscious of the choices we make and have the agency to create a sustainable future for all. This moment is what deep ecologist, Joanna Macy, refers to as “The Great Turning” and what systems thinker, Donella Meadows, called the “Sustainability Revolution.” Envisioning a just and thriving world is an act of faith, a recognition of the potential for change in oneself and in society. Shared vision can transcend the pervading mindset that we are separate from nature and help us bring about a life-sustaining world.

The current unsustainable path that humanity treads instills many with fear of mass pandemics, climate change, destruction of what we know and love, technological oppression, and the loss of individual freedom; the list goes on. We can, however, take a different path to sustainability that engages the heart and inspires us to do what humans are so good at: creative problem solving.

So what is it that moves us to act on behalf of this amazing place we call Earth? I know that I value beauty, the essence of nature, and the fullness of sensory pleasure that comes from experiencing wildness. The simple fact that there is so much yet to be learned about and experienced in the natural world is the essential fire of my curiosity. Biomimicry, for example, is a practical application of this passion to observe and learn from nature while serving the needs of humanity.

To embrace the Art of Sustainability is to embrace a way of living that is playful, and filled with wonder and infinite possibility. As poet Mary Oliver says, “The universe could have been created ugly, and would have functioned. And yet there is beauty everywhere in creation. Beauty gives us an ache to be worthy of that creation.” The Art of Sustainability gives us a pathway to demonstrate our love for creation and creativity.

Read more about my Art of Sustainability approach and related workshop offerings.

Dancers in the Forest

Tuesday, September 10th, 2013

 

At SculptureFest annual openings, dancers engage creatively with each piece that has been installed. In this clip, Tracey Penfield and dance partner Chelsea Palin performed a spontaneous piece in “The Forest Within.” Filmed by Edie Farwell and edited by Cedar Farwell, with original music, “Anna’s Waltz,” by Seth Houston.

“The Forest Within” SculptureFest Installation

Thursday, August 29th, 2013
Forest Within

“The Forest Within” is in a salvaged pavilion (12′ x 18′ x 10′) and comprised of painted saplings, bark mulch, polyethylene, and burlap.

Just yesterday, I completed my new SculptureFest installation, “The Forest Within.” It’s across from my “When the Moon Came to Earth” installation (2012) at King Farm, Woodstock, Vermont.

This structure was originally used as a summer pavilion by the King family. When it was moved, the building was damaged and lacked a proper foundation. The first order of business was to jack it up and put a couple of beams underneath to provide some structural integrity. In the process, the building was made more or less level. Trim and shingles were also replaced and the building was spruced up.

To me, this installation is an exploration of the organic lines created by the saplings and their interstices. The black interior was necessary to provide a space of high contrast. Breaking all the elements down to three strong colors – white, black, and red (iron oxide) – allows for additional clarity. The pavilion has a Zen quality and these sparse elements pay homage to that aesthetic. The trees can be viewed as conduits of earth to sky and vice versa. How many times have we witnessed the trees dancing in the wind? Is there a dance here? How do we carry the forest in us?

The painting of the saplings arose out of last year’s installation of “When the Moon Came to Earth,” standing to the east (see time-lapse video). The initial impetus came from the “Hand on Pianos” project when the piece “Tree Songs” was created (see video of musical performance on piano piece).

The SculptureFest Opening is this Saturday, August 31 from 4-7pm. At 7pm there will be a performance of the play “Art” in the King Farm Barn. Get tickets at BarnArts. I hope you’ll come and see my installations, those of other artists, and the play. SculptureFest is always free and open to the public from dawn to dusk through foliage season. Here are directions.