Just yesterday, I completed my new SculptureFest installation, “The Forest Within.” It’s across from my “When the Moon Came to Earth” installation (2012) at King Farm, Woodstock, Vermont.
This structure was originally used as a summer pavilion by the King family. When it was moved, the building was damaged and lacked a proper foundation. The first order of business was to jack it up and put a couple of beams underneath to provide some structural integrity. In the process, the building was made more or less level. Trim and shingles were also replaced and the building was spruced up.
To me, this installation is an exploration of the organic lines created by the saplings and their interstices. The black interior was necessary to provide a space of high contrast. Breaking all the elements down to three strong colors – white, black, and red (iron oxide) – allows for additional clarity. The pavilion has a Zen quality and these sparse elements pay homage to that aesthetic. The trees can be viewed as conduits of earth to sky and vice versa. How many times have we witnessed the trees dancing in the wind? Is there a dance here? How do we carry the forest in us?
The painting of the saplings arose out of last year’s installation of “When the Moon Came to Earth,” standing to the east (see time-lapse video). The initial impetus came from the “Hand on Pianos” project when the piece “Tree Songs” was created (see video of musical performance on piano piece).
The SculptureFest Opening is this Saturday, August 31 from 4-7pm. At 7pm there will be a performance of the play “Art” in the King Farm Barn. Get tickets at BarnArts. I hope you’ll come and see my installations, those of other artists, and the play. SculptureFest is always free and open to the public from dawn to dusk through foliage season. Here are directions.
Tags: biomimicry, launch, space
Very intriguing piece, Jay! I like the way you’ve worked with space, depth, and light. Inviting, haunting, reflective.